Wednesday, October 3, 2012

GREENSBORO: mixed-media artist Kathy Stark at Miller's Thumb

Open Studio at Miller's Thumb Gallery
Featuring mixed-media artist Kathy Stark
Saturday & Sunday, October 6 & 7, 10am - 5pm


This fall’s open studio at Miller's Thumb Gallery features mixed media artist Kathy Stark who is fascinated with patterning and the visual image created by repeat images.

The Miller’s Thumb will showcase work from her Interior Landscapes series which uses ink, graphite, colored pencils, watercolor, acrylic paint, glazes, tints, stains and a variety of wallpapers, decorative papers, photographs, and text. Stark will also display some of her new work which explores patterning using encaustics.

Deep in the Night the Deer Cry Out Beyond the Edge of Dreams by Kathy Stark




In addition to Stark, the Miller’s Thumb offers visitors a stunning collection of jewelry, pottery, glass, wood, fashion, textiles, photography, paintings and sculpture by some of the finest studio artists living in Vermont. The Miller’s Thumb Gallery, open seasonally Memorial Day through Columbus day, is housed in a former grist mill by Caspian Lake.

Miller’s Thumb Gallery
14 Breezy Avenue
Greensboro, VT 05841
(802) 533-2045
www.millersthumbgallery.com

BURLINGTON: Grace Cothalis - Mandalas, Collages, Pastels at Vintage Jewelers

Opening Reception: Friday October 5, 5-8 pm
Vintage Jewelers
Exhibit Runs: October 5 - November 27, 2012

Grace Cothalis Artist Statement: "I have a strong impulse to make art; it’s what I’m supposed to do. An idea, color or image will be the doorway into another visual and tactile world.

This year I returned to an old and familiar friend – mandalas and color pencils. I started doing mandalas years ago as a way to navigate through a very bumpy patch in my life. I continue to do them because they flow so naturally in expressing my truth. I find the process remarkably meditative.


The new kid on the block is soft pastels. I find the rich intense colors inspiring. I easily imagine the taste of their different flavors. I find interpreting what I see in my mind’s eye with pastels very engaging. It’s so appealing how pastels live in-between drawing and painting.

I love combining mono prints and collages because it encourages spontaneity and recycling. It’s great fun to see what happy accidents and surprises show up. I love the whimsical possibilities. While my mandalas are often carefully laid out and planned the collages occupy a let’s see what happens frame of mind.

 



Thanks for taking the time and letting me share my work with you. I hope you enjoy the visual conversation. - Grace Cothalis

 


An opening reception will take place on Friday, October 5, from 5 to 8 pm at: Vintage Jewelers, 125 College Street, Burlington, Vt.

MIDDLEBURY: Fleeting Moments/Stolen Glances by S.P. Goodman

Artist’s Reception
Friday, October 12, 2012

5:00-7:00 pm

Fleeting Moments/Stolen Glances
Paintings and prints by S.P. Goodman

The Jackson Gallery at Town Hall Theater
68 South Pleasant Street, Middlebury
October 5 - November 11




For more information about the artist, please visit: www.spgoodman.com

Tuesday, October 2, 2012

WHITE RIVER JUNCTION: Sheryl Trainor's Prints at Two Rivers

Two Rivers Printmaking Studio
Through September 2012

[Editor's Note: Sheryl Trainor's work can be seen at through October 8, 2012. Please see details after the story below.]

Sheryl Trainor's Print Show at Two Rivers
by Helen Shulman

Horses speak to Sheryl Trainor – and Sheryl Trainor’s prints speak to us.

When Wishes Were Horses


In this exhibition,  Sheryl uses imagery of horses and humans to tell stories and to create warm, inviting, and/or edgy scenes, depending upon the history and mood of the viewer. In When Wishes Were Horses, Sheryl presents the silhouette of a powerful horse responding willingly to a small girl sitting comfortably in the saddle. The drama of the disparity between the sizes of the two figures and their obvious connection is arresting.







Tandem


In Tandem, a couple rides together on a horse that seems better suited to their sizes. Questions about the evolution of the little girl’s life are raised.

To create this body of work, Sheryl used a printmaking technique called collagraph, which comes from the French, “coller” meaning “to Glue.” She builds up the plate to create textures. She also incises and presses textures into a mat-board substrate to add variety to the surface. Mylar stencils provide the figurative elements that can be places in a variety of background environments.


Dance Hall Days





The prints which feature human figures, provoke speculation and prod distant memories. Dance Hall Days shows the silhouette of a couple whose attire is reminiscent of the late 40's or early 50's. They stand in front of a background, which recalls the stylized décor that Americans, of that era, thought of as Japanese. It carries with it sounds of the big bands, sights of GI's and pretty girls, the smell of Lucky Strikes. In Just Between Us, Sheryl continues her work with silhouettes.A man in a suit, probably the father, stands with his hand on the shoulder of a little girl, probably the daughter. They gaze over an abstracted landscape formed of subtle greys, browns and blues. A grid-like structure of what appears to be bunched and broken netting is superimposed. It's easy to find associations flowing freely.

When Sheryl’s father died, nearly three years ago, she began poring through his books, magazines, letters and memorabilia. She also had collections of diaries, newspaper clippings, and letters saved from ancestors who lived in the early 1900’s.Her current work is being strongly influenced by these documents. Sheryl has the fortunate ability to take details from her life and history and make them pertinent to her viewers. She’s fascinated with what’s she learning about her personal past. I’m looking forward to seeing how she’ll use that to speak to us.






 

Her work was recently part of a two-person show at Two Rivers Printmaking Studio. Sheryl Trainor's work can be seen in Waitsfield, Vt., at the Art in the Round Barn, through October 8, 2012, daily from 9:30am until 5pm* (*Closed at 2:30pm on Oct 6, 2012)

 
1661 East Warren Road 
Waitsfield, Vt.
802.496.2276 




RANDOLPH & STATEWIDE: Vermont Fall Open Studio Weekend

ARTIST STUDIOS & THE BRILLIANT COLORS OF AUTUMN 
A Rare and Delightful Combination
by Dian Parker

http://www.vermontcrafts.com/OSW/fallpressrelease.htmlThe air is crisp and clear and the leaves are crunching underfoot. The light is changing rapidly with the sun glowing during the day and the stars glowing at night. A wonderful time of year to tour around our beautiful state of Vermont. On October 6 and 7, a statewide network of craftspeople and artists open their studios to the public for Vermont Fall Open Studio Weekend.

The Vermont Open Studio is a rare opportunity to see how artists work. Walking into an artist’s studio can be intoxicating; a place where they spend most of their day creating and experimenting. You will have an opportunity to observe the materials and tools they use. This year there are 131 participating artists and the list of work is impressive. Ceramics which include tiles, pottery and sculpture. Fiber arts with weavings and quilts. Stained, fused and blown glass. Metal jewelry and forged metal sculptures. Furniture, vessels and carvings made from wood. Paintings of many different mediums as well as drawings. 

Bookmaking, White River Craft Center
Along with individual artist’s studios, there are galleries and community art centers participating. In Randolph, the White River Craft Center, home of the Vermont Weavers Guild, will be showing 30 artists of the Green Mountain Creative Collective. Also on display will be the work of resident artists; Phil Godenschwager, David Hurwitz, Erica Sears, Abby Tonks and Kevin Harty. Located at the Kimball House on Randolph Ave, the 14 year-old White River Craft Center is focused on developing a community of artists and craftspeople to stimulate learning and creativity through craft education and community partnerships.

Sarah Heimann


Also in Randolph, nationally known potters Holly Walker and Sarah Heimann will both be exhibiting in the studio of Holly Walker, on 339 Wallace Hill. Walker’s newly built studio is filled with her exuberantly hued, earthenware coiled pots. Surrounding the turquoise studio are Walker’s beautiful gardens and seven cats.





Holly Walker


Heimann and Walker first met eighteen years ago at Watershed Center for the Ceramic Arts in mid-coast Maine and have remained friends ever since. Heimann’s work is intricately carved from thrown and slab built stoneware clay.








Wood-fired Kiln at Becca &Nathan Webb pottery studio


In Bethel, two pottery studios are open to the public. Becca and Nathan Webb of Two Potters Studio work in a large pole barn they built to house their newly completed wood-fired kiln. You can see their stoneware pottery in their refurbished milk shed.
 
Naught Hill Studio






Also in Bethel is the Naught Hill Pottery Studio, home of the potters Evan Williams and Grace Pejouhy. They work collaboratively, with Pejouhy doing most of the throwing and Williams handpainting the pots with slip and glaze brushwork. Their studio is a renovated barn on their 1850's era farmstead. Firing their newly completed 150 cubic foot wood fired kiln is a joint effort requiring 20 hours of continous stoking.


The Open Studio Weekend is organized by the Vermont Crafts Council, a non-profit organization serving the Vermont visual arts community. Founded in 1990 by a group of crafts people and representatives of craft organizations from around the state, the Council is dedicated to the advancement of Vermont crafts within Vermont. VCC Director Martha Fitch points out  that last fall the state was dealing with road damage from Tropical Storm Irene; this year the traveling is easy. Vermont roads are smooth and bridges have been fully repaired.

"It's a rare invitation to go behind the craft shows and exhibits to view the creative work environment and speak with the artist," says Fitch. "You can explore straight or winding, paved or dirt roads, and be treated to brilliant scenic vistas, classic Vermont villages, and warm welcomes from artists whose studios are normally private spaces."

The Vermont Crafts Council publishes a free map booklet with directions to participating sites. The Vermont Studio Tour Guide is available at Vermont Information Centers, or emailing a request to vt1crafts@aol.com or calling the Vermont Crafts Council at 802-223-3380.

With the guide, you can choose a section of the state that you’ve always wanted to visit. You could explore a specific medium like pottery or furniture making. Or you can just follow the yellow signs all over Vermont directing visitors to the studio locations. Regional information centers are highlighted in the guide as places to give studio explorers an overview of a particular area.

Vermont Fall Open Studio Weekend is a statewide celebration of the visual arts and the creative process.  It is an opportunity to observe the creative process and the role that artists and craftspeople play in the vitality of Vermont's communities. Often light refreshments are served. Perhaps with a glass of cider in hand, you can find out how Holly Walker pinches her clay and pick out one of her colorful jars. Or walk away with a butter keeper from the Two Potter Studio or a three foot tall vase from the Naught hill Pottery Studio in Bethel. Each artist participating in the Open Studio will have their work for sale.

This is a time to immerse yourself in the mind of an artist. Visit the studios and find out where they do their work and how they work. Artists are a rare and delightful breed. Come and relish their world with them.


Vermont Crafts Council
vt1crafts@aol.com
802-223-3380

A version of this story was first published in the Randolph Herald, October, 2012. Gratefully printed here by permission. 

BURLINGTON: The Art of Horror” @ The S.P.A.C.E. Gallery

Opening Reception:
Friday, October 5, 2012, 5-9 pm
The S.P.A.C.E. and Backspace Galleries



The S.P.A.C.E. and Backspace Galleries are pleased to present a juried group show for Halloween. Guest curators have chosen work that best defines the “art of horror.” The show will represent the beautiful side of decay, the finer points of blood letting, and that special something inside a depraved mind.

Please join us for the opening reception where you will meet the artists, have your future told by Holly Lukens, and marvel at creepy visuals. We will have a Day of the Dead shrine devoted to the legacy of artists who have passed away. Please bring a memento to share in the shrine. The after party will include a movie in The Backspace Gallery of something suitably distasteful.

The show is guest curated by Kevin Montanaro (www.bluesmokestudio.com) and Beth Robinson (www.strangedolls.net)

Participating Artists Include:
Dissection by Zoe Barracano
Chris Alley
Justin Atherton
marc awodey
Zoe Barracano
Britta Brickell
Robert Waldo Brunelle JR
Anne Carney
Nicole Christman
Leslie Cosgrove
Alex Dostie
Christopher Dunkle
James DuVal
Elizabeth Dye
Rough Night by Jme Wheeler
Dan Flanders
Adrienne Goulette
Vanessa Harris
Krista Hasert-Atherton
Michael Heeney
Steve Hogan
Cullen Johnson
Georgi Jones
Athena Kafantaris
Melissa Kristiansen
Jennifer LeBlanc
Leslie Fry
Josie's Hair by Michael Heeney

Nellie Levine
Phoebe Low
Dave Magnanelli
Christina Mansell
matt morris
Barbara Nedd
brant newton
OTTO
Melaney Pettini
Melissa Plumley
Jess Polanshek
Lila Rees
Aaron Reil
Lorraine Reynolds
Kristin Richland
Selena Salfen
Lucie Stein
Matthew Sylvester
Katherine Taylor-McBroom
Colby Trudell                  
George of the Dead by Aaron Reil
Ellen Urman
Phelan Vendeville
Sarah Vogelsang-Card
Jme Wheeler
Brian Zager

The S.P.A.C.E. and Backspace Galleries
266 Pine Street @ The Soda Plant
Burlington, Vermont


Exhibition Dates: October 5 - 31
Gallery hours: Thursday-Saturday from 11am-4pm, or by appointment.
Please contact us at spacegalleryvt@gmail.com or 802-578-2512 for more details

Sunday, September 30, 2012

CALAIS: "Full Circle" at the Kent Museum

From the editor:  I wanted so much to attend the opening of this exhibit but couldn't. This morning I discovered that Abby Raeder had written about it on her blog and, with her permission, I've reprinted it below. I admire the work of so many of these artists, from sculptors Axel Stohlberg to fiber artist Karen Henderson to the inspired constructions of Janet Van Fleet, to name just a few. I'm so excited about this exhibit and what the curators have put together!

Full Circle: Vermont Artists Give Round a New Shape, will run through October 7, 2012 daily from 10 am to 5 pm at the Kent Museum in Calais. There will also be a silent auction to benefit CERF+ and you can find some additional information on the CERF+ (Craft Emergency Relief Fund) Web site, including directions to the Kent Museum.

Some of the artists included are: Axel Stohlberg, Chris Miller, Pat Musick, Gowri Savoor,  Karen Henderson,  Janet Van Fleet, Susan Sawyer, James Teuscher, Ken Leslie,  Sam Talbot Kelly and Gabrielle Dietzel, and Lochlin Smith. While Abby was not able to identify all of the work in her photos, some of you may recognize the artists by their work. Either way, I hope these few photos will be enough to entice you there.

- Meg Brazill, editor
_________________________________

Ephemeral Art

by Abby Raeder, Executive Director of The Vermont Institute of Contemporary Arts

The only certainty in life is nothing lasts forever.  Buddhists have made impermanence central to their philosophy, opening our eyes not only to the adverse side, but to the positive side of change. Impermanence can be frightening but also exhilarating.

On a cool, grey fall afternoon, on a drive to Burlington to meet with an artist, I took a detour, a detour to the remote town of Calais VT.  I was told of an art exhibit at the Kent Museum that was worth a visit. With 15 minutes to kill I drove through Montpelier, cruising north on an idyllic back road. The landscape was reminiscent of a romantic foreign epic. A thick opaque mist clung to the hills, as the meadows still glistened, moist from the morning dew.  Entranced by the scenery, not realizing until I hit a dirt pothole, the road went from paved to dirt. “This can’t be right”, I thought, “why would a museum be so off the beaten path?” I persevered and finally reached my destination, a historic red brick building, with a vinyl sign reading, The Kent Museum.




From what I understand, The Kent Museum is owned by the State and used to host a 9 day art exhibit during Open Studio Weekend in the fall. This year the exhibit, Full Circle, runs from September 28th – October 7th. The building is art in itself, lovingly restored. The interior is textured with old wood floors and walls stripped down to the bare original lathing slats, exposing its history and charm. Some walls have the peeled remains of a handsome colonial blue wallpaper giving evidence of a time gone by.



 

Then there is the artwork: metal mobiles, textured fiber art, bronze sculptures, and wall art made from found objects fill the building, two floors of it. The exhibit is spectacular, I was moved to tears. One room after another opens to additional work, installation art and metal work abound. There is a grace and elegance to the entire exhibit. The simplicity of the stark space gave focus, emphasizing the sheer beauty of the artwork.


 

The main feature for me was the ultimate example of impermanence, a sand painting (actually colored rice). I came upon the piece as three volunteers were laboriously adding grains of colored rice to the sketched design found on the second floor. The designer of the piece, artist extraordinaire, hovered over the three crouched women on the floor as they giggled with pride and excitement. How fortunate they were to be part of this unique installation. 

 
 

There are two extraordinary gals that are curating this show, Allyson Evans and Nel Emlen. I applaud these two for after months of preparation, they put this unique show together for a duration of just 9 days, then it all disappears. What is even more commendable, they do it just for the love of art.


 

Please, I implore you, treat yourself and make the bucolic drive to Calais to experience Full Circle, a collection of the best and brightest artists in our region, exhibited in a gracious historical building, made possible by the efforts of enthusiast volunteers.


 

For me what makes this exhibit even more riveting is with all the hard work needed to put this together, it disappears in just a few days.  Ahhh, the beauty of impermanence!

Oh, this joy of the rose, that it blows, and goes.  Willa Cather

Live in color,

Abby

To see more photos of the Full Circle exhibit please check out VTica's facebook page.



_________



This article is reprinted here courtesy of Abby Raeder at VTica. The original story can be seen on their blog, http://blog.vtica.com/2012/09/30/ephemeral-art.aspx and additional photos on their Facebook page.
Vermont Institute of Contemporary Arts (VTica) 
15 Depot Street PO Box 972
Chester, Vermont  05143 

MONTPELIER: Brent Gould at Capital Grounds Green Bean Visual Art Gallery.



Artist: Brent Gould
Exhibit Title: Angels, Sneakers, and Wheels
Dates of Exhibit: September 29 – October 28, 2012
Location: Green Bean Visual Art Gallery 
@ Capitol Grounds, Montpelier, VT 


Brent Gould’s long time passion for photography led him to fuse classical approaches with modern technology; he “developed [his] own way of translating digital capture to traditional print.” His experimentation with exposing prints has advanced his photographs into timeless art. 

Angels, Sneakers, and Wheels is a collection of Brent’s photographs exhibiting his “emotive portraits and other ephemera” and will be on view @ Green Bean Visual Art Gallery through the month of October.

For more information visit:
https://www.facebook.com/#!/pages/Fans-of-Green-Bean-Visual-Arts-Gallery/176207625774864 
or email: curator@capitiolgrounds.com

images: Angel, Sneakers, and Wheels.  All Silver Gelatin Prints

Friday, September 28, 2012

MONTPELIER: Glen Coburn Hutcheson exhibit at The Shoe Horn

Drawings and Paintings of Sculpture: Glen Coburn Hutcheson
29 September - 30 November, 2012
The Shoe Horn, Montpelier


Hutcheson's own description (below) of his upcoming exhibit is reason enough to see it. The image here, Duel Interrupted, shows awkward figures leaking out from under penciled lines, as if held in place by graphite before erupting in a more violent splurge of paint. Hutcheson's suggestion, "Long looking is rewarded," is accurate - and important. This work demands a closer look before it will convey its secrets.

Hutcheson articulates his process while acknowledging how messy the mental work of artmaking is. And, he shares freely with us the power of the art to, at times, have its own way - a way that the artist both conquers and submits to. The work has a kind of emotional punch to it that may be surprising.

Hutcheson's work is on exhibit at The Shoe Horn, where one can inhale the smell of shoe leather to their heart's content.    - Meg Brazill, editor

Duel Interrupted, 27" x 40", homemade gouache, pencil and chalk on paper, 2012
 Artist's Statement: 

"Drawings and Paintings of Sculpture arose in a three-step process: first, shaky balanced sculptures formed, made out of found objects and previous sculptures. Paintings in homemade gouache on heavy paper came next, roughly depicting the sculptural arrangements. The sculptures usually fell over before the paint dried. The paintings then suggested figures and scenes, sketched out in pencil and chalk in the final (and often longest) stage. Some scenes still match the original sculptures fairly closely; others changed radically, including rotating 90 or 180 degrees.

It can be difficult to make out the intended figures in some pieces; the drawing and painting elements don't always align. Long looking is rewarded.

Part of the intent behind this series was to give voice to several layers of awareness at once. I was 'in charge' the whole time, but didn't usually know what would happen next. If something wasn't working, I quickly gave up and tried something else - anything else - to find a way to an image. I don't always like the narrative or characters in the end, but if they seem coherent I feel I ought to let them stay."


The Shoe Horn
8 Langdon Street
Montpelier, VT 05602


Image: Duel Interrupted, 27" x 40", homemade gouache, pencil and chalk on paper, 2012

Thursday, September 27, 2012

WOODSTOCK: LOCAL COLOR at ArtisTree Gallery

3rd Annual Autumn Exhibit of Local Color
ArtisTree Gallery
Opening: Friday, September 28th 5:30-8pm
Exhibit runs through Saturday, October 13, 2012


This year's exhibit coincides with the Fall Vermont Open Studios in which the gallery is a participant. Open Studios will be the weekend of October 6, 2012.

ArtisTree Gallery
1206 Route 12, Mount Tom Building
Woodstock, VT

802 457-3500
Gallery Hours - During exhibitions:
11am - 4pm, Tuesday - Saturday

ST. JOHNSBURY: Rosamond Orford photographs

Elemental Matter: Rocks and Water, photographs by Rosamond Orford
Artist reception: Saturday, October 6, 3-5 pm
Guild's Backroom Gallery, The Northeast Kingdom Artisans Guild
On exhibit: September 28 through November 17, 2012

Bandelier, NM (photograph) by Rosamond Orford
The title, Elemental Matter: Rocks and Water, reflects Orford's interest in the designs, colours and patterns of the natural world, in this case rocks and water.

For 30 years Rosamond Orford's photographs have been seen in her Upcountry postcards and notecards, sold throughout New England and beyond. Her book "Water Colours" shows, in both abstract and representational ways, her fascination with the effect of light on water, and the ever changing colours, moods and rhythms of water.

Smith River, CA (photograph) by Rosamond Orford)
Her work has been shown in Santa Fe, New Mexico; in Colorado, and widely in northern New England. Photomurals, taken from the frontispiece of her book, can be seen on the walls of 3 floors of the New York Law School Library in New York City. Largely self-taught, Rosamond Orford has studied with such photographic luminaries as Ernst Haas and Sam Abell.






The Northeast Kingdom Artisans Guild
430 Railroad St.
St. Johnsbury, Vt.
802-467-3701
www.nekartisansguild.com

Hours: Monday-Saturday, 10:30-5:30 / Sunday 11:00-3:00

UPPER VALLEY: Lois Masor Beatty to exhibit new monoprints.

Lois Masor Beatty - New Monoprints
Squared Lines XVI, a collagraph by Lois Beatty
Two Rivers Printmaking Studio
Opening Reception: Friday, October 5, 

6 - 8 pm
Exhibit continues through October 31, 2012



Lois Masor Beatty, long-time artist member and board member at Two Rivers Printmaking Studio will be showing new monoprints done in collagraph and solar-plate etching in October.

Lois has been a member of Two Rivers since its first year of existence when she moved to the Upper Valley from Boston. Early in her career she preferred painting to printmaking  because the repetition of making a traditional edition of the same image did not appeal to her. Then she discovered monoprints and was hooked. This endlessly variable medium allows the artist to work themes by repeating part of an idea and making new, altered versions of a print. She was introduced to monoprints at Rugg Road Paper and Prints in Somerville, Massachusetts. When she moved to the Upper Valley, she joined the studio and learned a wide range of both traditional and experimental techniques from the many talented artists who have been involved with the studio.

The work in this show makes use of collagraph printmaking which uses coated and carved cardboard instead of metal for plates, as well as solar plate printmaking which is another non-toxic method using a steel plate coated with a light-sensitive material that is developed using light and water. Lois says that, "I enjoy particularly the opportunity monoprinting gives the artist for spontaneity and a fluid, painterly result."

Two Rivers Printmaking Studio
85 North Main Street
White River Junction, VT
(802)295-5901
www.tworiversprintmaking.com


BURLINGTON: Abby Meaker's Photography at Vintage Inspired Lifestyle Marketplace

The Unseen, featuring black & white and color photography by Abbey Meaker will be on exhibit at Vintage Inspired Lifestyle Marketplace.
Reception: First Friday, October, 5 - 8 pm
On Exhibit: October 5 through 30, 2012


Los Angeles film critic and poet Dreux Moreland describes Abbey Meaker’s photography in this way:
“There is a scene in Chris Marker's 1962 film, La Jetee, in which a woman, after a remarkable dissection of cross-dissolves, suddenly comes alive: staring into the hollow face of the camera, the future of love blinks her eyes. After twenty minutes of still photographs and auditory association, the moment is nothing short of revelation. Abbey Meaker's photographic work is an evocative touchstone of the same variety. Like the coma victim who exists in solipsism, a state of perpetual twilight, faintly working memories like rosary beads inside the cathedral of time which is the skull, the photographs tug me to places I have only visited in the gray. A hand lost to fog, a building equally consumed by weeds, by moss, by emulsion, a woman looking for the vanishing traces of youth in a window, the erotic riptide of loss.”

Artist Abbey Meaker grew up in Putney, Vermont and currently resides in Burlington. Abbey has been shooting photos for about ten years, which has culminated in a desire to be challenged as an artist in an academic setting. To this end, she is currently enrolled at Burlington College, pursuing a B.A. in Fine Art, and ultimately an MFA. Abbey also works as the studio manager for sculptor Richard Erdman. Relatively new to exhibiting her work in a public setting, Abbey recently was part of an exhibition at Furchgott Sourdiffe in Shelburne, Vermont and has previously shown her work at Piazzo Barsanti in Pietrasanta, Italy. Abbey’s writing and photography has been featured in numerous online publications, including Nighthawks, Orphanwork, Tourist Zine, Pas un Autre, Hillbilly Magazine and more.

For more information about
Abbey Meaker’s work, please visit:
www.abbeymeaker.com

Vintage Inspired Lifestyle Marketplace
180 Flynn Avenue
Burlington, VT
Hours: Monday – Saturday, 10am to 5pm / Sunday, 12pm to 4pm.


Vintage Inspired Lifestyle Marketplace is a vibrant new marketplace for antique dealers, artists and craftspeople. A funky & accessible source of vintage goods for inspired lifestyles, Vintage Inspired is a delight for shoppers wanting to combine a love for antiques, curious goods and art. Owner, Mary Heinrich Aloi has a truly inspired eye and her shop is a destination for in-the-know pickers, collectors, and art lovers.
For more information and directions to the Marketplace, please visit:
www.vintageinspired.net

Wednesday, September 26, 2012

NEWPORT: Poem Drawings by Sam Thurston

Poem Drawings by Sam Thurston
Newport Natural Foods and Cafe Gallery
 
Opening: Friday, September 28,  6 - 8 pm

Artist's Statement: Sam Thurston

For years I had wanted to "illustrate" poems that moved me, but I never understood what would work for me. The first one that stayed in my head in my 20's held the key to how to do it, but I could not see it.

  I heard a noise and wished for a sight,
  I looked for life and did a shadow see
  Whose substance was the sum of my delight,
  Which came unseen, and so did go from me. 
                                                       (Anonymous, 16th c.)
 
Then when I was in my 60's talking to a painter from England, Timothy Hyman, who liked to take Moleskin accordion sketchbooks and illustrate them with images of his life, some realistic and some fantastic. Had he ever "illustrated" poems I asked? 'No,' he replied, adding 'I am too old to do it now, and so are you.'
from Dido Queen of Carthage by Geoffrey Chaucer



That must have been what I needed because the next day I did my first poem drawing, starting with the anonymous "I heard a noise" poem. I had finally found my formula.


If I took a poem that I did not associate with anyone else, one that I had heard no one else read or comment on, a poem that gave only a hint of physical description so I would not get pulled down into illustration, and if I let myself be moved by the mood rather than the facts of the poem, I could find a sensibility that was offered by the poet to me to use, and I could build on that.
from Patterson by William Carlos Williams

from The Witch of Atlas by Percy Bysshe Shelly
After doing some of my favorite poems in this way I next went searching for poems that were new to me so I could think up my image during that first surprise of the poem. I did about 50 poems during a year and then my mood shifted and I stopped.

Will I return to them? Yes, if I can find the new equation.
- Sam Thurston







Show of Poem Drawings by Sam Thurston
Newport Natural Foods and Cafe Gallery
194 Main Street
Newport, VT 05855
(802) 334-2626
Hours: Monday thru Saturday, 8am to 8pm /      Sunday, 10am to 6pm

Tuesday, September 25, 2012

ARTIST CALL: VERMONT High School Student Photographers

2011 Juror's Choice, Rhye Tempest
Submission Deadline: October 24, 2012 
Free Entries Close: September 26, 2012
Exhibition Runs Nov. 23 - Dec. 9, 2012

Person Style

If you are or know an aspiring Vermont High School photographer: "The Darkroom Gallery is hosting our third Vermont High School Student only juried photography exhibit. This year we have the help of Mt. Mansfield Union High School Arts teacher Dodi Gomez; our juror is Jordon Douglas of St. Michael's College.                

What makes your photography unique and different from others? What techniques or approaches energize your work? Part of the growth and development of any artist is to develop a personal style that is uniquely their own. Style may include subject, perspective, composition, depth of field, lighting, post production treatment (darkroom or digital) and printing.

Read More . . . .
http://www.darkroomgallery.com

STOWE: Migration - Approaching the subject of human migration


Migration
September 21 - November 25, 2012
Helen Day Art Center

Political and humanizing in its approach to the subject of human migration. Migration addresses topics of immigration, emigration, migrant workers, New Americans (refugees), and visa holders. These personal
stories describe physical and cultural dislocation and assimilation, the act of moving, and migration's socio-political complexities through contemporary and historical narratives of the artists and writers.
This exhibition pulls together internationally renowned artists from Switzerland, Greece, the Netherlands, Italy, and across the United States.
Ira Eduardovna, The Library Room, 2 channel video installation

Participating Artists:

Chantal Akerman, courtesy of Marian Goodman Gallery NYC
Margarita Cabrera, courtesy of Walter Maciel Gallery L.A.
Esperanza Cortes
Ian Deleon & Kara Stokowski
Ira Eduardovna
Adamantios Kafetzis, courtesy of Kappatos Gallery, Athens
Brian Kaplan
Hung Liu, courtesy of Nancy Hoffman Gallery, NYC
Adrian Paci, courtesy of Peter Blum Gallery, NYC
Judith Quax
Yu-Wen Wu

Writers:

Alisha Laramee
m.pinchuk

Helen Day Art Center
5 School St.
PO Box 411
Stowe, VT 05672
802.253.8358
mail@helenday.com

Gallery Hours: Wednesday through Sunday. 12:00 pm - 5:00 pm.
Gallery entrance is FREE. Donations are accepted

BURLINGTON Airport (BTV) artists Lynda McIntyre, Joan Hoffman, Elizabeth Nelson

Good reason to head to the airport and watch the planes come in.

SEPTEMBER - OCTOBER, 2012
BURLINGTON AIRPORT


Skyway – Lynda McIntyre, mixed media

Gates 1-8 – Joan Hoffman, oil landscapes

Escalator: Elizabeth Nelson, "Interstate Rocks February and March", diptych, acrylic on cotton canvas

Click on artists' names for more information about their work.

Bookcliffs, oil, 12" x 16" by Joan Hoffman

GRAFTON: James Urbaska at Gallery North Star

Opening Reception: Saturday, September 29, 5:30 to 7:30 pm
Exhibition runs through October 31, 2012


Island, 13 x 12
Gallery North Star presents a solo show of new oil paintings by artist James Urbaska. Inspired by the landscapes of New England and particularly the Connecticut River Valley, James Urbaska's paintings chronicle the tranquility of the rural experience. In this body of new work, Urbaska continues to explore the conversations between light and shadow, land and water and sky. The luminescence flowing out of his canvases enhances the drama inherent in the ever evolving Vermont landscape. Using a heightened sense of realism, he defines our experiences through his exquisite images.

Right Shore Distant Rain, 30 x 30

James Urbaska's shows are greatly anticipated events, drawing collectors worldwide.  A native of Montana, he currently lives and paints in Newfane, VT.



Gallery North Star, located in historic Grafton, Vermont, is dedicated to presenting a diverse selection of work by Vermont's and New England's finest artists in a unique setting.

Gallery North Star
151 Townshend Road
Grafton, VT
802-843- 2465
Hours: daily, 10 am to 5 pm

Mantels Pond, 40 x 62

Monday, September 24, 2012

JERICHO CENTER: Landscape paintings by Lisa Forster Beach

Artist Reception:  Sunday,  October 14, 2012, 4 - 6 pm
On Exhibit: October 14 through November 18, 2012


Emile A Gruppe Gallery presents an exhibition of paintings by award-winning Stowe landscape artist Lisa Forster Beach.  Beach gets to the essence and spirit of the New England landscape. Her emphasis on structural design is constant in all of her paintings, but of greater concern is the translation of the character and the impression of an experience into visual artistic language, rather than creating a factual representation. Beach prefers to paint on location to capture that New England spirit embodied in the natural world.
Autumn by Lisa Forster Beach

Beach teaches two outdoor painting landscape workshops in Stowe each year as well as other courses and workshops here and abroad.  In 1986, her watercolor paintings gained her the honor of signature membership in the National Watercolor Society. 

Emile A. Gruppe Gallery
22 Barber Farm Rd.
Jericho Center, VT
Gallery hours: 
Thursday through Sunday
10 am - 3pm or by appointment
Contact: 802-899-3211

www.emilegruppegallery.com


Dinghies by Lisa Forster Beach

UPPER VALLEY & ORANGE COUNTY: Vermont North by Hand Studio Tour

Vermont North by Hand Artisans Co-op - Eighth Annual Open Studio Tour 
Saturday & Sunday, October 6 & 7, 2012 
10 am - 5 pm
Rug by weaver Mary Hays

Visit the twenty workshops and studios of artisans in Corinth, Bradford, Fairlee, Topsham, Newbury, and So. Ryegate, Vt.

Delicious homemade food will be available at the Corinth Town Hall.

For a map, and a list of participating artists and a gallery of their work, visit: www.vermontnorthbyhand.org
Watercolor painting by James Gardner





Brochures with maps are also available.
Contact Bruce Murray at:
802-222-5798
vtnorthbyhand@gmail.com

 





Cookeville Woodworking: mirrors from reclaimed material





About Vermont North by Hand Artisans Co-op: we are a non-profit artists’ cooperative which has sponsored this open studio tour for eight years. Vermont North promotes and supports the appreciation of the arts through events, studio tours and educational programs.